PSYCHOLOGICAL ALCHEMICAL CINEMATIC

PSYCHOLOGICAL    ALCHEMICAL    CINEMATIC
AS ABOVE SO BELOW

“Each moment of time is characteristic of a particular quality and whatever is born or done at this moment of time has the quality of this moment of time.” CG Jung, Spirit in Man



Saturday, January 6, 2018

JANUARY 7- 9: VERY GOOD LIBRA MOON

MOON ENTERS LIBRA at 7:14am EST on Sunday, January 7 and remains here until Tuesday, January 9 at 11:12am. LAST ASPECT OF MOON: Moon Sextile Mercury in Sagittarius. Ruled by Venus this Cardinal Air sign rules Love, Relationships, Justice, Equality, Art and Beauty. It can also include Self-Worth and What We Value (which often means Money!) The heart and the head are in sync now so actions initiated during this time tend to have VERY GOOD resolutions. This is a great time to communicate with your significant other what's been on your mind, even about finances. Libra can be passive aggressive so try to be as direct as possible. Draw on the the courage of Libra's opposite Aries. Remember the whole axis of opposites is always available to us. The Sextile to Mercury in Sag signifies that it's also a a good time to take off on a long distance journey of the body or the mind. Enjoy an aesthetically pleasing rendez-vous...and lots of Love. 
https://www.youtube.com/watch?v=HTrT6QSqnGs
 LIBRA SCENE FOR THE DAY: Paris Can Wait, 2016; Director: Eleanor Coppola. I saw this film at the Tribeca Film Festival last spring and, being a fan of both Diane Lane and France, totally loved it. An unexpected and aesthetically satiating road trip with Anne (Lane) and her husband's partner Jacques (Arnaud Viard), food and art connoisseur, is the perfect film for a Libra Moon Sextile Mercury in Sag. All the senses are titillated and Venusian Beauty is present in almost every scene. Anne discovers a new kind of relationship and learns to slow down and value every present moment.  Eleanor Coppola is Francis Ford's wife and, at 81, gives us her feature directorial debut. It's based on her own experience traveling from Cannes to Paris with her husband's French film distributor who stopped several times a day to relish the bounty of the countryside.  She also made the revealing 1991 documentary Hearts of Darkness: A Filmmaker's Apocalypse, about husband Francis' incredibly difficult production  of Apocalypse Now. Paris is a much more enjoyable ride!

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